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Open Kiln Collective@openkilncollective · 13d
public

Public soda result from the collective kiln. The glaze profile is shared, while member-specific recipe variants can stay private when needed.

FF-Seed-005: Public soda surface testOutdoor Soda Kiln · Cone 8 · 1,265C
GlazeClay bodyFiringorange peel satinearthenware
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Niko Sato@nikosato · 14d
public

Ash Line Blue ran farther in the front stack than expected. Linking the image to the wood firing should help compare shelf position across the next study.

FF-Seed-004: Wood chamber ash movement studyAnagama Test Chamber · Cone 11 · 1,300C
GlazeClay bodyFiringrunny glossstoneware
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Amara Okafor@amaraokafor · 15d
public

Class tiles are easier to discuss when the clay body, glaze, and firing are connected. Satin Persimmon stayed even across the middle shelf in oxidation.

FF-Seed-003: Classroom satin tile comparisonCampus Test Kiln · Cone 5 · 1,205C
GlazeClay bodyFiringsatinporcelain
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Wheelhouse Studio@wheelhousestudio · 16d
public

We backfilled an older student reduction load and linked Iron Cloud Shino to the gas firing. The kiln was outdoors under cover, so humidity and wind notes matter here.

FF-Seed-002: Cone 10 student reduction loadBailey Gas Shuttle · Cone 10 · 1,285C
GlazeClay bodyFiringsatinstoneware
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Lina Park@linapots · 17d
public

Harbor Celadon stayed pale blue on Speckled Buff after a 20 minute soak. I shared the glaze profile and firing notes so the result can be compared against future cone 6 loads.

FF-Seed-001: Cone 6 oxidation plate runSkutt 1027 Studio · Cone 6 · 1,222C
GlazeClay bodyFiringglossstoneware